American singer Jordin Sparks has released three studio albums, two extended plays, one mixtape, 25 singles (including two as a featured artist, nine promotional singles and one charity single), 14 soundtrack appearances and seventeen music videos.At the age of 17, Sparks won the sixth season of American Idol in 2007 and earned a record deal with Jive Records. Sparks is an American rock and pop band formed in Los Angeles in 1971 by brothers Ron (keyboards; born August 12, 1945) and Russell Mael (vocals; born October 5, 1948 in Santa Monica, California), renamed from Halfnelson.The Sparks were among the founders of glam-rock.They were formed by brothers Ron and Russell Mael in Los Angeles in 1971.Initially the band was called Halfnelson.Unlike their British counter-parts, whose emphasis was on eccentric andoutrageous behavior, the Sparks focused on eccentric and outrageous musicalstyle.Halfnelson (Bearsville, 1971), reissued as Sparks (Bearsville, 1972 - Wounded Bird, 2006),is more influenced by Todd Rundgren (Wonder Girl) and early Brian Eno than byMarc Bolan orDavid Bowie. Sparks' music is a futuristic music-hallthat borrows from pop, soul, hard-rock and progressive-rock.Their dadaistic sense of humour reached maturity onA Woofer In Tweeter's Clothing (Bearsville, 1972 -Wounded Bird, 2006) Russell's ghastly falsetto, the trivial melodies and the grotesque arrangementsgave it the air of a rock opera in disguise.
The brothers relocated to London and reformed Sparks with a new line-up.Kimono My House (Island, 1974) borrows elements from hard-rock and techno-rock,but, mostly, focuses on the melodies (and one is truly memorable,This Town Ain't Big Enough),as does Propaganda (1975), that containsSomething For The Girls With Everything.
The line-up kept changing on Indiscreet (1975),Big Beat (Columbia, 1976), which boasts a heavier guitar sound,Introducing (1977).
Disco-music guru Giorgio Moroder gave them a second life withNunber One Song In Heaven and Beat The Clock,both from N. 1 In Heaven (Elektra, 1979).When I'm With You, from Terminal Jive (Durium, 1980),closed the disco chapter.
Sparks returned to hard-rock and pop (with a touch ofsynth-pop) on Angst In My Pants (Atlantic, 1982), that containsEaten By The Monster Of Love.The influence of Blondie andCars permeates the disco-rock ofSparks In Outer Space (Atlantic, 1983), withCool Places, andPulling Rabbits Out Of A Hat (Atlantic, 1984).Music That You Can Dance To (MCA, 1986) adopts the production styleof synth-pop.Interior Design (Logic, 1988) marked the end of this derivative phase.
Profile (Rhino, 1991) is a career retrospective.
After a six-year hiatus, Sparks releasedThe Gratuitous Sax And Senseless Violins (BMG, 1994), that containsmildly entertaining dance-pop ditties such as When Do I Get To Sing,and is probably the best work in a decade.
Another six-year interval followed. Then Balls (Oglio, 2000), a rathermediocre album, surfaced.
Sparks reinvented themselves with Lil' Beethoven (2003), a semi-classicalalbum whose songs maintained the old sense of humor while adding an edgy andeven cartoonish element (notably the seven-minute Ugly Guys With Beautiful Girls).Hello Young Lovers (2006) built on those operatic and bombasticfoundations while reaching back to Sparks' original ditty-oriented cabaret(Waterproof).
Will Sparks Discography Wikipedia
Exotic Creatures Of The Deep (2008) offered a more austere version oftheir sound.